Wait, how do I turn on the subtitles?įirst, something you might want to do is add a filter to your YouTube search so that it only shows you videos with subtitles. Luckily for us, YouTube enables creators to add subtitles to their videos in multiple languages. However, most of this content is usually created by natives for natives, which tends to mean it’s way too fast or colloquial for language learners. You can drink just as much you want, linguistically speaking, for free. YouTube is an open bar of culturally and linguistically diverse material within a few clicks’ reach. This means, among many other things, that the content you can find there is by no means exclusively in English. It’s a platform where creators from all over the world share their work for the rest of us to enjoy. (Download) The Role of YouTube and Subtitles in Language LearningĪt this stage of the game, we should all know that YouTube is not only the place where you go to watch cats getting scared by cucumbers or Lady Gaga’s last music video.
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This blog post is available as a convenient and portable PDF that youĬlick here to get a copy. Slightly Different Channels Equally Worth Watching.10 French YouTube Channels with Subtitles for Fun Learning.Why not just use English subtitles, then?.The Role of YouTube and Subtitles in Language Learning.Arabic and Pashto with English subtitles. – Charlotte Garson. Lebanon/France/UAE 2015, digital video, color, 24 min.
Above all, it underlines the paradox of these empty tombs, where death is compounded by the absence of the relics. The switching between day and night but also the soundscape of the man’s singing and the sound of his transistor radio suggest that even the greatest solitude can allow itself be inhabited. Hamlet’s words in the famous gravedigger scene come to mind: “Has this fellow no feeling of his business? He sings at grave-making.” But here the human remains have long since become archaeological artefacts: the highly luminous outside sequences alternate with shots inside a museum where the bones are sorted and laid out for the visitor’s eye. Seen under the silhouette of a rock about to devour him or as a dwarfed figure spade in hand walking from the back of the frame, Sultan curiously busies himself from day to day to prevent the ruins… from falling into ruin. What is playing out here is the possibility for one man to become part of a landscape that overwhelms him yet seems to need his help. Although majestic, the wide-angle shots have no monumentalising intent: the beauty and extent of the site speak for themselves. Arabic with English subtitles.įor twenty years, Sultan Zeib Khan has kept watch over a ruined Neolithic necropolis in the Sharjah desert in the United Arab Emirates. France/Lebanon 2013, digital video, color, 20 min. The film investigates the geological situation in Lebanon, trying to look for the traces of the imminent disaster. Lebanon stands on several major fault lines, which are cracks in the earth’s crust.
While the Lebanese focus on surface level events that could rock the nation, few realize that below the ground we walk on, an actual shattering of the earth is mounting. Arabic with English subtitles.Įarth-shattering events are relatively par for the course in Lebanon, with war, political upheaval and a number of social revolts. France/Lebanon 2011, digital video, color, 7 min. “Sometimes dreams have to hurt before they become reality” – AC. A Rise, a Decline, and a Fall that would create a tabula rasa and a new start. In English.īetween dreamscapes and reality this video is a journey in three chapters, on the backdrop of the uprising in the Arab world. Netherlands 2005, digital video, color, 15 min.
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In a cyclical structure from dark to light, Un Cercle autour du Soleil is a reflection on growing up in Beirut during the civil war years, and how to adapt to the “post war” life accepting the body that is in ruin, and learning to live in the city that is always already in ruin. In collaboration with Harvard Film Archives and Film Study Center. The program includes: Un Cercle autour du Soleil (2005, 15 min), Pipe Dreams (2011, 7 min), The Disquiet (2013, 20 min), Somniculus (2017, 14 min), and The Digger (2015, 24 min). Video and visual artist, Ali Cherri, screens his work followed by a conversation with Lucien Castaing-Taylor, Professor of Visual Arts and Anthropology Director and Interim Chair, Department of Visual and Environmental Studies.
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